Richardson "5" Update

Thanks to members of the excellent Antique Radio Forums and to a Mr Richardson (No relation, I think) I have found out more about the history of this receiver. It turns out that the set had been restored in the past from fairly sad shape after being purchased at an AWA swap meet in New York.

Underneath the top desk of the radio is the text "Oct.17.1996 Billy Richardson" which confirmed that the radio had originally passed though his hands while being brought back to life.

However I'll let Mr Billy Richardson tell the story in his own words:

I'm guilty of owning the Richardson "5", guys. It was in poor condition when I bought it in an AWA swap meet in New York way back there years ago. I restored it to the best of my ability to its original condition a few years later. It was not a restoration that had anything special going for it, so it was never shown in any of the contests around the country. It was working OK when I finished it, but I can understand why it doesn't work now.

To the best of my recollection, Richardson radios were first advertised as a superheterodyne kit. Their main feature was "self evident wiring", or something like that. Naturally. they didn't get away with selling a superheterodyne kit and the next and only ad I saw after that was a small one for the Richardson "5". It used the same type of wiring.

Here again I speak from a poor memory, but the wiring for this set is one long piece of rubber coated flexible wire. Along its entire length it has lugs that simply pierce the rubber cover to make an electrical contact. Not a good thing, because only one or two strands of wire may be making contact and a wee bit of oxidation is all it would take to break the connection. This was the case with the original wire, which was also hard and brittle. I replaced it with NOS flexible wire that looked exactly the same. The finished job is an ugly sight, just like the original. All the lugs are spaced an equal distant along the wire, regardless of how far it has to go to the next connection and most of the wire is too long for those connections. In other words, it's a jumbled up mess of wire and not something to be proud of.

I recognized the photo of this set immediately as being mine because of the label under the lid. There was enough of the original left to make a good copy and I thought the reproduction turned out real well.

Billy Richardson

Alan Douglas of the Antique Radio Forums found a clipping from Radio Retailer & Jobber Oct.1925 which told of Mr Richardson's exit from the Richardson Radio Corporation. Given the very short period where any advertisements were made it seems like this corporation didn't last very long at all, perhaps only a year or two at most. In the Radio News of 1925 the January issue has quite a large advertisement while the December issue has only the smallest note possible ... perhaps a sign that things were not going particularly well.

The only additional information I could find regarding either the Richardson Radio Corporation or Mr Richardson himself come from the clipping of the Princeton Alumni Weekly, August 1936.

Unfortunately it concerns what must have been his early death and does not specify the cause which would have been appropriate at the time.

DAVID WELLES RICHARDSON '22
The Class records with deep sorrow the death of our classmate, David W. Richardson, who died at his home in Mt. Kisko on July 16.
Dave spent the first two years out of college in the radio business. He helped organize WOR and was the president of the Richardson Radio, Inc.
He then entered the employ of Joseph P. Day and for five years was head of the private sales department. About a year ago he entered the brokerage business with Harris, Upham & Co. and on July 1 entered the employ of Eastman, Dillon & Co.
Dave was married in 1932 and has a son, David Welles Richardson, Jr. To his widow, his son, and his father we extend our deepest sympathy with the assurance that we will not soon forget him.
    For the Class of 1922
    William E. Stevenson, President
    G. M. L. LaBranche
    Hunt T. Dickinson
    Robert Buechner, Secretary. 

Richardson "5" - 1925

I recently purchased a Richardson "5" TRF receiver and after bringing it home discovered somewhat disappointingly that, although in excellent condition appearance-wise, this radio is not going to play without a significant amount of work.

Although it was sold to me with the opinion that it did play, I think it more likely that it played at some point in the past ... although I'm willing to give the seller the benefit of the doubt.

The Richardson Radio Inc of New York seems to have appeared on the scene in 1925, lasting perhaps a year and then vanishing. The Richardson "5" features neutralization but doesn't appear to mention licencing that technology from Hazeltine so this may have had something to do with their short life.

The chief problem seems to be the wiring which is soldered in only a few places and otherwise consists of stakes or posts that have been pushed through the insulation of the wires in the same way that inexpensive garden lights are sometimes put together.

Given time, almost 90 years in this case, the poor contacts and gradually deteriorating insulation have done a good job in turning almost every connection into an intermittent connection. When I powered the radio up it was obvious that the two stages of audio amplification were working but touching any wire in the RF amplifier or detector sections just changed the quality of the noise in the headphones. I was never able to tune in a station or even see if the RF sections were working.

So, I have a choice. This radio can either be dust collector on the shelf and an example of how not to wire a set or I could re-wire it using proper soldered connectors which wouldn't be "authentic".

Not sure what to do exactly. Not that I will be diving into it any time soon, I still have the AK20 restoration to complete before I start anything else.

It didn't come with a speaker but I didn't find any evidence that Richardson Radio ever sold a loud speaker and the example at the top of the page uses a "Superspeaker Console" from the Jewett Radio & Phonograph Co.

The Richardson "5" uses a six volt "A" battery and "B" battery voltages of forty five and ninety volts. When running from the ARBE III supply I set the "A" battery voltage to five volts so there is little risk of burning the five 01A tubes too brightly.

All-in-all I would say that it is a handsome set that will look good on the shelf and may eventually be made to work again. It will be interesting to see what difference the neutralization makes to a circuit that is essentially identical to the AK20.

Atwater Kent - Model 20 : Important Documents

One of the first things I do once I have acquired a new "treasure" is to gather together all the information I can find and stick it in one place.

To this end, here is what I have found online and scans of some of the paperwork I have acquired. Most will be specific to the Model 20 but some may also cover other Atwater Kent radios:

Sadly I do not have a high resolution scan of the Model 20 log card which I believe is Form F 103, can you help?

This is Form F 194 which would suit a single dial Atwater Kent radio.

The file is scanned at 600DPI and if printed at the same resolution it should be the same size as the original.

A small amount of cleanup may be required to print correctly on your printer.

Download the PNG file HERE (49MB)

At the right is the "Radio Log Cards and Important Instructions" envelope which was used to organize all the paperwork. This would typically be held in between the two clips inside the radio.

If you are wondering what those clips were used for, now you know!

The file is scanned at 600DPI and if printed at the same resolution it should be the same size as the original.

A small amount of cleanup may be required to print correctly on your printer.

Download the PNG file HERE (57MB)

This is the back of the envelope so you can see the fold patterns and get an idea of how it was put together.

I plan to clean up these images and generate a pattern which can be printed out via a large format printer at a FedEx office or similar.

The pieces I have are too fragile to use and would crumble if handled more than a few times.

The file is scanned at 600DPI and if printed at the same resolution it should be the same size as the original.

Download the PNG file HERE (56MB)

I have several of the loud speaker instruction sheets and they seem to be generic enough to suit any of the horn type loud speakers. As far as I know they all have a similar adjustment underneath and all users should heed the warning about connecting them to the receiver with the correct polarity.

As with all the images I have used full color images so you can see the original colors and then change it to black and while to increase contrast for printing.

The file is scanned at 600DPI and if printed at the same resolution it should be the same size as the original.

Download the PNG file HERE (54MB)

This is the Atwater Kent Radio Service Manual from 1928.

This manual covers from the Model 10 to the Model 52 including accessories such as the power units and loud speakers.

This manual was a pain to find so hopefully this will help some people out and ease frustration.

Download the PDF file HERE (8MB)





This is the Atwater Kent Radio Instruction Book Vol. 2 from 1925.

The instruction book covers the Model 10 through to the Model 24 and contains important photographs showing battery cables, battery boxes and other accessories.

Download the PDF HERE (14MB)








I'm looking for high resolution scans of the following two forms: F91A and F101 as shown in the picture below. If you have scans or can point me in the right direction I would appreciate it!

Atwater Kent Model 20 "Big Box" - 1924

Ok, you got me. This isn't technically an amateur radio blog post but I would argue that radio in the early 1920's was the pursuit of the amateur, the enthusiast and the tinkerer. The amount of crossover between commercial broadcast radio and amateur radio in those days was much greater than it is now. Anyway, that's my excuse ... but why the Atwater Kent Model 20?

The model 20 or AK20

Well, to make along story short, I found an example of this Atwater Kent model sitting in a flea market stall in Hot Spings Arkansas. It looked like it had seen better days but was fully complete including the five '01A' vacuum tubes. The owner wanted $200 for the radio and explained the better part was the included horn type loud speaker which was worth $150. The horn speaker looked to be in fairly bad shape and lacking any way to test it I cheekily asked if he would take $50 for the radio ... "Sure", he said and my wallet was instantly $50 lighter.

Now I have a few vintage radios at home, perhaps a few too many depending on who you ask, and I consider them all to be interesting examples in their own right. More or less money, time and research was employed to create these radios and a great variety of circuits and designs was the result.

First impressions told me this was different, I had never owned anything like the Atwater Kent radio before. It was certainly older than my other radios but it was also constructed unlike any other radio I owned. Even under layers of grime, dust and mud dauber's nests this was obviously an article of quality. The finish on the wood cabinet and the metal front panel had seen some heat and were very badly checked in addition to the 90 or so years that had taken its toll. On the lip of the hinged top was a protected area which still showed how the finish looked originally, the dark mahogany and subtle gloss hinting that it had once looked very smart indeed.

The model 20 compact or AK20C

Once I had Internet access again I started to research the model 20 and try and learn something about it. It was at this stage, after some initial confusion, that I noticed that my model 20 was the older and perhaps slightly rarer "Big Box" version. There isn't much between them but some important differences crop up as far as restoration goes, for example:

Most references I found online suggested that the front panel of the model 20 was painted with a crinkle finish however this was only true of the later versions.

In an Atwater Kent advertising booklet, published at the time, they write, "The front of the cabinet is of metal with a deep brown mat surface which brings out the sparkling sheen of the lighter brown Bakelite dials, knobs, etc., and the nickel-plated trimmings."

I'll need to clean my Bakelite parts and possibly wax them to bring up the original "sparkling sheen" of the tuning, aerial tap and filament rheostat knobs.

A suggestion from the Antique Radio Forums that Rust-Oleum Earth Brown paint followed by black KIWI boot polish applied using 0000 steel wool sounds like it would come pretty close to producing the right finish and will probably be the path I choose when I refinish the front panel.

This AK20, from The Backwood Realm, appears
to have the original finish and looks similar to mine.

For the woodwork we're fortunate to find the description below and some more research indicates that nitro-cellulose lacquer was used at the time and is still available now.

"The cabinet of the Model 20 Receiver, pictured above, is of solid mahogany, stained a dark brown, then shellacked, triply lacquered, and rubbed to a dull, glossy, long-wearing finish."

Overall it seems very understated compared to modern electronics, even down to "The name plate, of dull bronze, is both distinctive and unobtrusive."

I hardly need to say, to most folks at least, that Ebay is a wonderful, and terrible, place to shop for antique radio parts. Wonderful because at any one time there are parts available for just about any radio you might have and terrible because you'll be jostling with tens, or hundred, or thousands of other collectors and re-sellers ... many of which have some very deep pockets indeed!

Unused Atwater Kent Radio Log card.

After vowing I would never pay Ebay prices I lasted approximately 3 minutes and then started looking on Ebay for some of the things I knew I was missing.

Before too long I had found an all-important unused "Atwater Kent Radio Log" card and envelope. I intend to scan these items in with a high resolution flat bed scanner and make copies to use and share.

Also I was able to get a set of three tuning knobs since one of the originals on my radio was shattered. Although someone had thoughtfully placed the remains inside the cabinet it was never going to piece back together well enough to look "right"

I had found the Atwater Kent Radio Instruction Book Vol. 2 online and printed out a copy but couldn't resist the temptation to pick up an original as well as another envelope along with some instruction sheets for various models of AK loud speakers.

I already own a modern ARBE-III battery eliminator so this really left only one thing to find ... a loud speaker.

Even the parts you don't see, are expensive.

I should have known that finding "the right loud speaker" for the model 20 would not be a simple task. While it will work with many different speakers including later cone style Atwater Kent units and those manufactured by other companies, the "right" speaker ... the type shown in all the period advertising literature ... is the Atwater Kent type M, L, H or R radio speaker.

All but one of those models allegedly used pot metal in their construction which eventually succumbs to the dreaded "pot metal disease" making it crack and expand. I have dealt with pot metal disease before and have no intention of doing battle with it again ... this left one model, the model M, as the one I was looking for.

Ok, so there was one model M listed on Ebay and it looked to be in good condition as well as "working" according to the seller. In fact the more I looked at it, the better it looked ... it seemed to be in very nearly new condition. After I finished drooling over the photographs I decided that I would limit myself to $100 not including the $50 shipping involved. The shipping was more than average and I hoped this would keep bids low and reduce the amount of interest. This seemed to work for a while ... the bids topped out at around $80 and I thought I might be on a winner, however this was short lived and the bids jumped to over $100 and kept on going. "Ah well", I thought, "such is life". I knew there would be an vintage and antique radio auction coming up in a month and I could probably find something there at a reasonable price.

The Atwater Kent Type M Loud Speaker.

At this point I took a shower, which is something I would recommend to anyone suffering some disappointment ... or a bath. Worst case you end up cleaner if still disappointed which is surely a small improvement.

At the same time my wife, who perpetually despairs of ever buying the right gift for a husband who is notoriously difficult to buy for, noticed my dejection and moved over to my computer which I had foolishly left logged into Ebay (I should know better, really).

A furious round of bidding started between my wife and a number of others who knew little of her determination to win this auction. I won't mention the final amount, I would like to say because, "One doesn't discuss money" but mainly because it still makes me a little woozy to think about.

If you were bidding on that same speaker then I apologize, but you never really stood a chance.

After further research I've learnt a bit more about the internals of the AK20 and uncovered the meaning behind its three tuning dials and various other controls. In order to provide more amplification, not to mention more selectivity, the AK20 uses three largely identical tuned circuits. Each tuned circuit is controlled by a separate knob on the front panel and all three must be "in agreement" before you will hear anything from the loudspeaker. Next comes the detector circuit which converts the amplitude modulated radio frequencies into audio frequencies and finally two further stages of audio amplification.

The other controls on the front panel are the aerial tuning switch which selects different taps on the first set of coils and the filament rheostats. The filament rheostats, in addition to correcting the voltage supplied by the batteries to the vacuum tube filaments, also act as the volume control by lowering the filament voltage which in turn lowers the volume from its maximum to a comfortable listening level.

Next steps will involve re-finishing the front panel and cabinet, checking tubes along with the few capacitors and resistors, then a careful power-up with high impedance headphones ... the AK loud speaker can wait until I am absolutely sure that it is working as intended!

I hope to update the blog as I progress, as well as uploading pictures and more detailed data such as circuit diagrams and service information HERE.

Philco Tropic Model 3012

Last weekend I attended the Houston Vintage Radio Association holiday dinner & picked up a Philco Tropic Model 3012 during the fundraiser auction. I had let a few other radios go without placing a bid and was beginning to think I might go home empty handed when I saw the Philco "on the block". A few seconds later I was the proud owner of this vintage receiver.

Philco Tropic 3012

Information on this model seems a little scarce, however the style of case was introduced by Philco in 1951 and used in their line of AM/FM receivers for many years after that. This particular example is a transformer-less AC/DC set with a potentially live chassis and the unusual (to me) lineup of 14Q7, 7B7, 14B6, 35A5 & 35Y4 vacuum tubes.

What prompted me to bid on this particular radio was the inclusion of two shortwave bands in addition to the typical AM broadcast band. The dials are marked off in meters which also appealed to the ham radio side of my interests.

After attaching a short length of wire as an antenna I was able to pick up signals across the two SW1 & SW2 bands so I'll be interested to see what it can receive with a long wire antenna at night.

After a gentle cleaning with dilute mild detergent to remove dirt I rubbed in some beeswax polish to restore the original gloss. Sadly the plastic dial is cracked in the middle but I can look past that given its a little more unusual than the typical All American Five receiver.

Being over fifty years old I wonder what this radio has been used to listen to and what stories it could tell. Perhaps it gave some youngster his or her first taste of ham radio, listening to shortwave stations and AM QSOs until they received the final demand to, "Switch that radio off and GO TO BED!"

EICO Model 625 Tube Tester

I attended the Greater Houston Hamfest and as I walked past the tables of equipment I wondered if interest in vacuum tube equipment was starting to wane. Compared to the last few years the prices of collector quality gear had held steady but parts and restorable gear seemed to be going for less.  I'd like to know your thoughts if you've noticed trends one way or the other.

I was happy to pick up a EICO Model 625 tube tester for $15. It is in good condition and appears to work well. The roll of settings for each tube is in good condition and a little searching on the internet supplied settings for older tubes like the number 78 in the picture below.

EICO Model 625 Tube Tester with a number 78 tube

The EICO 625 is not a top of the line tester but it does basic tests and will let you know if a tube is functioning and an idea of the life left in it. It was sold in kit form for $34.95 in 1958 which is roughly equivalent to $274 in 2012.

Inside the EICO 625 from diyaudioprojects.com

The EICO 625 is fairly unique in having its own 6H6 diode tube to rectify the 30V filament voltage. It provides DC for the neon short-indicator bulb. If the tube is suspected of having a short then there is a fairly comprehensive series of tests than can be administered to isolate shorted elements.

EICO Model 625 circuit diagram

Here is the Users Manual and Roll Chart for the EICO Model 625 Tube Tester

Here is the complete TUBE TEST DATA 1/1/78 for the EICO Model 625 Tube Tester

Some settings for less common and older tubes are contained in : eico_625.zip

Excellent information on servicing and calibrating your Classic emission tube tester.

ARRL President Kay Craigie, N3KN presents an insightful and inspiring talk about Amateur Radio

Lately I have been giving a lot of thought to the notion that, as a amateur radio operator, I should be engaged in this or that activity ... should volunteer for something ... should be building equipment ... should be operating more ... well, you get the picture. I enjoyed the following video because it highlighted the variety of experiences in amateur radio and how each has value to the community in its own way.

If you talk to any group of ham radio folk (or read through a ham radio publication) you'll always run the risk of feeling that somehow you're just not doing enough stuff and that you're not holding up your end of the deal. The FCC made allowances for you to operate on several bands of frequencies which are set aside for amateur radio use ... you really should be using them right?
The answer to that ... as far as I now think ... is yes, and also maybe. To be perfectly honest I do enjoy getting on the air from time to time and making contacts, usually digital as I don't seem to have an ear for picking out SSB voices from the noise. However ... there are other things like vintage vacuum tube equipment, experimenting and the history of ham radio technology that I enjoy more.
I came to realize that, much like genetic diversity, a ham radio club that has members interested in a wide range of things could potentially be more robust and offer a greater service to the community and its members. There is one critically important caveat here however and it has been the downfall of several special interest clubs in the past. In order for a club with members having diverse interests to survive and thrive there must be a significant amount of tolerance shown by each and every member. We are both united by a common interested and made unique and interesting by the variety of ways that common interest is manifest.
If you don't operate QRP then stop a moment and talk to someone who does, if you only operate CW then chat to someone who operates digital modes or phone. Different disciplines can always benefit from a little cross traffic and you may be amazed at what you learn!

Pop's Shed and the Kingsley Radio AR7

After my grandfather passed away I spent a lot of time recalling the good times I had spent scrounging around his CB shack and hanging out with Pop "down the shed". If you've spent time around old motorbikes, retired lawn mower engines, vacuum tube electronics and inches of dust you know what the shed smelt like and probably have a pretty good idea what it looked like as well.  I used to be able to send Mum into fits by embedding a combination of oil, grease, dust and grinding compound into the knees and sleeves of my good clothes after spending the day "over south" (South Geelong)

Even now I can still walk into any old auto mechanics and the smell brings back dozens of memories as clear as day ... but one memory in particular had been bugging me for a while now. On several occasions I had used a magnificent rack mounted shortwave receiver that had been hooked to a long-wire antenna between the shed and the house. It had several plug in coils housed in bright metal boxes, one for each band as well as a unique tuning dial that had windows around the circumference with numbers that updated as the dial was turned.

National HRO right? ... Nope, its an Australian clone!

For the longest time I was thinking what you are probably thinking now, I had been using a National HRO receiver right? Well, you'd be wrong ... just as I had been for years! When I eventually asked my uncle about the receiver (I waited a long time as I feared it had been thrown out & honestly didn't want to know if it had) he said, "The AR7?" ... "Yes, its here in the garage covered in dust". He went on to say that I could have the receiver if I could figure out some way to ship it ... not a slight problem given the receiver, power supply and speaker are over 120 lbs!

Knowing now that I had been using a completely different receiver I set to work and found out what I could about this National HRO clone ...

From : http://www.vk2bv.org/

The AR7 was produced during WW2 by Kingsley Radio of Melbourne for the R.A.A.F. These receivers were used in ground stations for long range communication over fixed circuits as well as for receiving signals from aircraft.

The AR7 was based largely on the National (USA) HRO model, a fact that did not go unnoticed by National. This was the subject of litigation during the war years. Over 3000 of these receivers were produced and for their time, produced excellent performance.

These sets were very popular with radio amateurs after the war and unfortunately subject to many modifications. The Wireless Institute of Australia station, VK2WI at Dural New South Wales was equipped with modifed AR7's for many years. I seem to remember that very local operators could block the receivers completely, resulting in hurried phone calls!

An unmodified AR7 is a rare beast. The Department of Civil Aviation used these sets for many years in a highly modified form, requiring a new front panel. Refinements included squelch and crystal locked coil boxes.

From : http://www.shlrc.mq.edu.au/~robinson/museum/AR7/

The AR7 is a communications receiver covering LF and HF bands. It was made in Australia during 1940 and bears an extremely close resemblance to the National HRO receiver. The receiver has a tuning range from 138 kcs to 25 mcs, with a gap of 45 kcs either side of the 455 kcs IF amplifier. The internal design is a single conversion superheterodyne receiver with 2 RF stages, 2 IF stages, a BFO and an "S" meter amplifier. The sensitivity is quoted as 1 microvolt. The front panel is stainless steel and  it is a very distinctive looking receiver.

It is a good performer, sensitive, has a nice feel, is easy to tune, but hard to find the correct frequency, by reading the frequency from the dial number and coil box graph. It really needs a crystal calibrator.  I use it for the weekly W.I.A. (Wireless Institute of Australia) broadcast, so it gets turned on once a week, and is so stable, than I don't have to retune. It is very clear for AM but a bit fiddly for SSB.

The controls are: RF gain, BFO note, AVC/BFO switch, Adjust "S" meter, Tone, Tuning, Noise limiter, Selectivity, Crystal IN/OUT switch, Crystal Phasing, Audio gain. The Audio gain control has an OFF position which removes the HT so that the coil boxes can be changed.

It has two 6U7G RF stages, a 6K8G mixer, two 6U7G  IF stages at 455 kcs,  a 6G8G detector/AVC/audio preamplifier, and a 6V6G audio output amplifier. It has a 6C8G twin triode as a BFO and "S" meter amplifier. It also has a crystal filter. The IF alignment should be done very carefully, as any misalignment will reduce the effectiveness of the filter. It is best done with a sweep generator. The 6 volt valve heaters are connected in series, for 12 volt operation.

The external power supply and speaker, are usually mounted in a short 19" rack, the AR7 at the bottom, the speaker in the middle, and the power supply at the top. The complete unit weighs about 118 pounds. The power supply was switchable between 12v and 240v.

The receiver was used as a ground monitoring receiver for aircraft. It was extremely stable. The model shown has an R.A.A.F. nameplate, and serial number 1786. The manual I have is a D.C.A. (Department of Civil Aviation) version and is a 1947 issue.

It has 5 plug in coil boxes. The coil boxes are: band A 140-405 kcs, band B 490-1430 kcs, band C 1.420-4.3 mcs, band D 4.25-12.5 mcs, band E 12.5-25 mcs. The Army version had an extra coil box covering 50-150 kcs. The large dial is a 20:1 reduction drive and has graduations from 0 to 500. It acts like a flywheel when tuning across the band, and has an effective scale length of 12 feet. The dial shaft goes into a right angle reduction gearbox and has 2 output shafts that drive 2 dual gang capacitors. The graph on the front of each coil box is used to covert the dial reading to frequency.

Homebrew Hero - Homemade NBTV video recording system in 1974

What do you do in 1974 if you are 20 years old and want to send video to other Amateur Radio operators?

An off-the-shelf home-video camera was the equivalent of $8000 USD (if you could find one) and the circuitry required to transform the high bandwidth signal into one that could be transmitted on AM would have been prohibitively complex.

Believe it or not the only solution was to build your own narrow band video camera! These creations followed on from narrow band television work done in the 1930's and took advantage of advances in materials and solid state technology.

The camera used by VK3AML (Chris Long) in the video below was a Flying Spot Scanner camera which required a completely darkened room and used a spot of light that scanned the scene. The reflected light was picked up by a photomultiplier tube and recorded as a frequency modulated audio tone on tape or broadcast via radio.

We're fortunate to have some of the original video preserved from 1974 since the audio and video signals had been recorded onto open-reel tape.

The 30 line television system developed by John Logie Baird in the 1930s allowed home experimenters to build their own equipment, a practice which still exists today through the Narrow-bandwidth Television Association. Relatively few narrow-band TV signals are transmitted nowadays so most amateur radio operators are unaware of this special interest group.

The video below shows some of the actives and projects that members of the Narrow Band Television Association have been involved in and gives some historical background on this interesting field.

Chas (WA1JFD) from the Antique Radio forums mentions that at approximately the same time other amateur radio operators such as Donald Mara (WA1PLT) were experimenting with Slow Scan Television (SSTV). SSTV sent higher resolution pictures at a slower frame rate, typically taking 8 seconds to send a complete image. Below is a picture of some of the first commercial SSTV equipment that was made available to US hams.

Robot 70 (monitor) & 80 (camera) SSTV system introduced in 1970

I wasn't able to find exact prices for SSTV equipment like the ROBOT 70 & 80 but period articles seem to indicate you wouldn't get much change from $1000 in 1970 for a complete SSTV station. This is equal to around $5000 USD today.

PACO C-25 Capacitor Tester

I recently attended the Houston Vintage Radio Association post holiday dinner and participated in the auction held after the meal. It was a great evening and if you have any interest in vintage radio I would suggest getting in touch with the HVRA and becoming a member.
Among other things I walked away with at the end of the evening was a PACO Model C-25 capacitor tester.

The PACO C-25 differs from my Healthkit IT-22b in that it tests both regular and electrolytic capacitors as well as using a 40Mc oscillator to enable a rough measure of capacitance using a bridge circuit.
Most of the time, with vintage vacuum tube equipment, capacitor values need only be "in the ballpark" to function perfectly so a high degree of accuracy is not required. For more accuracy I have a Heathkit impedance/capacitance bridge if required.
I have my doubts how accurate the tester would be when measuring capacitance "in circuit" but otherwise it looks to be a very useful bit of kit!
The users manual should be available here and the circuit diagram is shown below.

Coil Winding using the Gingery Coil Winder

Anyone who has seen the video below from KC9KEP will probably be wondering where he got the coil winder used to make those high Q coils with universal windings.

The design itself is based on the Morris Register Company (MoReCo) Coilmaster and modified for home brewing by Dave Gingery. His excellent book is available from lindsaybks.com and provides plans that use parts and tools commonly available in the home workshop.

Gingery coil winder by KC9KEP

Another resource for coil winders is a page from K5BCQ that shows the original Coilmaster, a different home brew plan and a large volume of useful information.
A vintage text is also available which covers inductor (coil) design in significant detail and should be downloaded by anyone who REALLY wants to know what they are doing. It is available here.

Preserving the past - Australian built broadcast transmitters

Arguably some of the best looking radio equipment was produced in the 50's and 60's when art-deco motifs, streamlining and other elements of design made their way onto consumer and even industrial electronics.
Unlike modern times, when cost is the only consideration, designers and engineers took the time to ensure that their creations looked good as well as being functional and long lasting. It was worth taking time over the placement of meters, switches & panels, even if it did mean that the final product cost a few dollars more to manufacture.
Amalgamated Wireless (Australasia) or AWA produced an extensive range of home and commercial equipment in the 60s and many vintage radio collectors have examples of AWA radio receivers in their collections. The larger equipment like broadcast transmitters takes an extra special effort to preserve as their large size, demanding power requirements and the specialized knowledge required to maintain them presents a barrier for all but the most dedicated enthusiasts.
We are fortunate then that Don Bainbridge has taken up the challenge and preserved a remarkable collection of Australian built broadcasting equipment and maintains much of this equipment in operational order. The YouTube video below and his website linked here offer a rare glimpse into the world of vintage high powered broadcast equipment before plastic took over and economical design stripped away the chrome and pinstripes.

Old Time Radio (OTR) at Archive.org

When tuning across the AM broadcast band I'm often reminded that there is little left but sports radio and talk shows. I'm not particularly against either but I remember that in the past there was a lot more to pick from. With this in mind I have been looking around the Internet for a source of old time radio and found an excellent storehouse at archive.org.

I noticed while talking with friends that not too many people know about archive.org or assume its only used to hold podcasts. Nothing is further from the truth.

Take a look at  for an excellent collection of old time radio shows and once you've had your fill there, take a look at http://www.archive.org/details/movies and the video archives.

For a quick taste click the play button below and listen to Strange Tales.

Tales of the strange and bizarre, the weird and the wicked. Stories not necessarily of the supernatural, but of the unnatural

(If the player doesn't appear you may need to go to http://www.archive.org/details/oldtimeradio and listen to the radio show there)